*scores and parts available on request*
Orchestral
EARWORM. (2024) for double children’s chorus and orchestra – 4’
Instrumentation: 3.3.3.3. 4.3.3.1. 1T. H. Pno. 14.12.10.8.6.
DUTCH PLASTIC. (2023) for orchestra – 3’
Instrumentation: 2+1picc.2+cor.2+bcl.2+1cbsn. 4.3.2+btbn.1. 2P. H. Pno. 14.12.10.8.6.
KLINE. (2022) for chamber orchestra – 5′
Instrumentation: 2.2.2.2 2.2.0.0 0P 5.4.3.2.1
POINT. LINE. PLANE. (2020) for orchestra – 5’
Instrumentation: 1+1picc.2.2.2 2.2.1+1btbn.0 2p.pno.hrp. 6.6.4.4.2
Theatre
TABLEAUX. (2019) for violin, cello, & two dancers – c.11’
Ensemble
MURALS. (2026) for percussion duo and large ensemble – 12’
Instrumentation: 1.1.1.1 1.1.1+1btbn.0 2p.pno. 1.1.1.1.1.
GUIDE TO SURVIVAL IN URBAN ENVIRONMENTS, VOL.1. (2024) for flexible/mixed ensemble, keyboard, drumkit, and vocals – c.40′
HUNTER S. THOMPSON’S DAILY ROUTINE. (2021) for amplified narrator and large ensemble. – 2′ (purchase here)
Dynamic/Stasis (2020) for oboes, clarinets, bassoons, horns, double bass and cello. – 8’30”
September 6th, 1951… (2019) for bass clarinet, electric guitar, percussion, violin, and cello – 8’ (purchase here)
Collage 315 (2017) for flute, clarinet, electric guitar, MIDI synth., piano, violin, and cello, – 7’
Kaleidoscope (2015) for gamelan – c.10’
Chamber
THREE ASYNCHRONOUS LINES. (2026) for violin, viola, and cello – c.5’
TOGETHER, NOT TOGETHER. (2022) for cello and percussion – c.5’ (watch here)
FOUR ASYNCHRONOUS LINES. (2022) for string quartet – variable duration
TRYPTCH. (2022) for wind quintet – c.3′
MAKZ. (2021) for flute, trombone, violin, and viola – 5’
Iso (2019) for piano and viola – 7’
Kaleidoscope 2 (2018) for two pianos – 11’
Automaton (2017) for oboe, piano, and cello – 2’
Regressive Variations (2014) for string quartet – 6’
Vocal
QUEUE THEORY. (2026) for voice and piano – 3’
THINGS AS… (2023) for eight voices (SSAATTBB) – 7’
Lecture on Sexist Narratives in the Science of Reproductive Biology (2019) for clarinet and soprano voice – 8’
Musica Nova (2019) for six voices (S.M-s.Ct.T.Bar.B) – 6’
Anthem for Doomed Youth (2018/rev. 2022) for tenor voice and piano – c.5′
Cantus (2017) for mezzo, piano and viola – 8’
Seven Japanese Death Poems (2015) for high voice and piano – 7’
Solo
BONES OF THE ORTOLAN. (2022) for harp – c.3’
GRID ASSEMBLY #1. (2019/rev. 2024) for organ – c.10’
Save Your Breath (2018) for flute – c.2’ (listen – album available for purchase here)
SATOR AREPO TENET OPERA ROTAS (2017) for piano – 12’
Hymn to the Martyr (2015) for organ – 6’
Resonances (2015) for harp – 7’
Sketch No.1 (2013) for piano – 2’
Octatonic Divisions (2009) for piano – 3’
ROBERT CREHAN. 